About Us
Resonant City is an interdisciplinary writing and research collaborative exploring the intersections of art, architecture, technology, the immediate past, enduring present, and possible futures. In the course of our explorations we hope to illuminate a subtle yet critical discourse underlying the construction of nature, landscape, the city, and cultural modes of production.
Welcome to Resonant City.
soon to be picturesque ruins
questions? resonantcity (at) gmail.com
Links
- A Young Hare
- a456
- airoots/eirut
- ANY-SPACE-WHATEVER
- Ballardian
- BLDG/BLOG
- boiteaoutils
- City of Sound
- Crimson
- deconcrete
- diffusive architectures
- Edible Geography
- Everyday Structures
- eyeteeth
- fantastic journal
- GAFFTA
- indiemaps
- InfraNet Lab
- Kazys Varnelis
- LA Eastside
- Lebbeus Woods
- M.ammoth
- Marius Watz
- owen hatherley
- pruned
- Serial Consign
- Spatial Agency
- Strange Maps
- StrangeHarvest
- Territorial Masquerades
- The Funambulist
- Transversing the Bay
- Triple Canopy
- Urban Landscape Lab
- urbanscale
Upcoming Events
January 28, 2012
Van Tour of San Francisco's Green Spaces
Location: 2323 Cesar Chavez Street San Francisco
February 1, 2012
Leonardo Art/Science Evening Rendezvous (LASER Series)
Location: Pigott Hall (Bldg. 260), Room 113, Stanford University
February 3, 2012
Etchings by John Cage at Crown Point Press
Location: Crown Point Press 20 Hawthorne Street San Francisco, CA
Adriane Colburn "Of Darkness"
Location: The Luggage Store Gallery 1007 Market Street (nr. 6th St.) San Francisco, CA
February 4, 2012
Barbary Coast Trail Tour
Location: Mint Plaza SF
February 7, 2012
Free First Tuesdays
Location: San Francisco
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Mapping Histories: Map APIs and the visualization of historical archives
This is part one of a series called Mapping Histories. With twenty-four hour news cycles, events frequently forgotten or repeated, and the seemingly endless churning of information, styles, fashions, and... -
Sebastien Preschoux: Installations in the Interstices of Yarn and Oblivion
Remember the Spirograph? The plastic geometric drawing tool has for generations provided hours of hypnotic entertainment by helping children draw complex patterns on paper. French artist Sebastien Preschoux has taken... -
Leslie Shows, Split Array
In the era of hyper-immediacy, geology can be a difficult for the human subject to understand. Dreamlike and ancient landscapes exist as remnants of inconceivable time. Tectonics and alluvial processes... -
The Altered Landscape at the Nevada Museum of Art
The Nevada Museum of Art has assembled over the course of twenty-odd years an impressively broad yet tightly focused collection of landscape photography, highlighting the constantly changing relationship between people... -
Scanners Project
Walking into a recently opened storefront next to a high end clothing store, on a particularly hip part of Valencia street, one hardly knows what to expect. The front is... -
Better a Live Ass than a Dead Lion
Better a Live Ass than a Dead Lion, Eli Ridgway’s current exhibition tackles the myriad encounters between human and landscape, telling stories of adventure, memory, and failure through a variety...
Newest
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Essays
Mapping Histories: Map APIs and the visualization of historical archives
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Things We Like
Sebastien Preschoux: Installations in the Interstices of Yarn and Oblivion
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Art
Leslie Shows, Split Array
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Art
The Altered Landscape at the Nevada Museum of Art
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Things We Like
Scanners Project
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Art
Better a Live Ass than a Dead Lion
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Art
After the Deluge: Alex Lukas at the Guerrero Gallery
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Reviews
Utopie: Texts and Projects 1967-1978
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Things We Like
Pier 24: Hidden Photography Gem Below the Bay Bridge
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Things We Like
Way Back Home: On Scottish Landscapes and Castle Walls
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Things We Like
Sculptors Becoming-Tree Becoming-Nest: The Chapuisat Brothers
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Architecture
Bringing Affect to the Surface: A Review of Sylvia Lavin’s Kissing Architecture
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Things We Like
Chris Burden’s Metropolis II
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Things We Like
Jennifer Steinkamp: Synthetic Nature
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Reviews
Gerald Raunig’s A Thousand Machines
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