About
Resonant City is an interdisciplinary research collaborative exploring the intersections of art, architecture, technology, the immediate past, enduring present, and possible futures. In the course of our explorations we hope to illuminate a subtle yet critical discourse underlying the construction of nature, landscape, the city, aesthetic and cultural production.
Welcome to Resonant City.
soon to be picturesque ruins
Links
- A Young Hare
- a456
- afterall
- airoots/eirut
- ANY-SPACE-WHATEVER
- Ballardian
- BLDG/BLOG
- boiteaoutils
- Charnel House
- City of Sound
- Crimson Architectural Historians
- David Gissen
- deconcrete
- diffusive architectures
- ditchcat
- DPR-Barcelona
- e-flux
- Edible Geography
- Entschwindet und Vergeht
- Everyday Structures
- eyeteeth
- fantastic journal
- GAFFTA
- indiemaps
- InfraNet Lab
- Javier Arbona
- Kazys Varnelis
- LA Eastside
- Lebbeus Woods
- M.ammoth
- Marius Watz
- owen hatherley
- Postarchitectural
- pruned
- Serial Consign
- Spatial Agency
- Strange Harvest
- Strange Maps
- Territorial Masquerades
- The Funambulist
- Triple Canopy
- Urban Landscape Lab
- urbanscale
Upcoming Events
- Events on May 22, 2013
- Silk @ Highlight GalleryStarts: 12:00 amEnds: May 23, 2013 - 12:00 ambr />
Interstitial Spaces: The Visual Dreams of Filip Dujardin and Lauren Marsolier
Photomontage is a technique that has long been used by artists to create new visions of reality. Its use can be traced back to the origins of photography; double exposures…
Driss Ouadahi: Trans-Location
Trans-Location, at San Francisco’s Hosfelt Gallery, features new paintings by Driss Ouadahi. Ouadahi was born to Algerian parents in Casablanca, Morocco and studied architecture in Algeria before attending the Kunstakademie…
Warren Ellis’ Gun Machine
Gun Machine is a tightly wound, little beast of a detective novel. The story begins with two NYC detectives who stumble into an explosive situation. An angry, naked man with…
The Urban Narrative: Local History Tours and Place-Marking as Sites of Contestation.
Part two of our mapping series. See Part one Mapping Histories History is never objective—interpretations of events always vary depending on whose perspective is prioritized. It is always a process…
Doug Aitken and DS+R Only Have Eyes for the Hirschorn
The Hirschorn Museum and Sculpture Garden was built to house the Hirschorn art collection, which was acquired by the Smithsonian in 1965. The site picked for the Hirschorn had previously…
Recent
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Art
Interstitial Spaces: The Visual Dreams of Filip Dujardin and Lauren Marsolier
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Art
Driss Ouadahi: Trans-Location
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Things We Like
Warren Ellis’ Gun Machine
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Architecture
The Urban Narrative: Local History Tours and Place-Marking as Sites of Contestation.
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Things We Like
Doug Aitken and DS+R Only Have Eyes for the Hirschorn
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Art
Mitzi Pederson’s Ciphers at Ratio 3
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Reviews
Ken Wark’s The Beach Beneath the Street
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Things We Like
Doris Salcedo
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Things We Like
The Macula turns chapel into massive virtual instrument controlled by lasers
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Essays
Bicycle-Powered Haberdasheries of the World, Unite!
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Things We Like
Tim Doyle’s Unreal Estate
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Essays
Mapping Histories: Map APIs and the visualization of historical archives
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Things We Like
Sebastien Preschoux: Installations in the Interstices of Yarn and Oblivion
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Art
Leslie Shows, Split Array
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