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Mapping Histories: Map APIs and the visualization of historical archives This is part one of a series called Mapping Histories. With twenty-four hour news cycles, events frequently forgotten or repeated,...
Sebastien Preschoux: Installations in the Interstices of Yarn and Oblivion Remember the Spirograph? The plastic geometric drawing tool has for generations provided hours of hypnotic entertainment by helping children draw...
Leslie Shows, Split Array In the era of hyper-immediacy, geology can be a difficult for the human subject to understand. Dreamlike and ancient landscapes...
The Altered Landscape at the Nevada Museum of Art The Nevada Museum of Art has assembled over the course of twenty-odd years an impressively broad yet tightly focused collection...
Scanners Project Walking into a recently opened storefront next to a high end clothing store, on a particularly hip part of Valencia...
Better a Live Ass than a Dead Lion Better a Live Ass than a Dead Lion, Eli Ridgway’s current exhibition tackles the myriad encounters between human and landscape,...
After the Deluge: Alex Lukas at the Guerrero Gallery Rising from the muck, much like the urban wastelands of JG Ballard’s novels, Alex Lukas’ remnant landscapes present viewers with...
Utopie: Texts and Projects 1967-1978 Semiotext(e) has a long history of bringing radical, sometimes marginal Francophone thinkers to an English-speaking audience. Utopie: Texts and Projects...
  • Mapping Histories: Map APIs and the visualization of historical archives

    Mapping Histories: Map APIs and the visualization of historical archives

    This is part one of a series called Mapping Histories. With twenty-four hour news cycles, events frequently forgotten or repeated, and the seemingly endless churning of information, styles, fashions, and...
  • Sebastien Preschoux: Installations in the Interstices of Yarn and Oblivion

    Sebastien Preschoux: Installations in the Interstices of Yarn and Oblivion

    Remember the Spirograph? The plastic geometric drawing tool has for generations provided hours of hypnotic entertainment by helping children draw complex patterns on paper. French artist Sebastien Preschoux has taken...
  • Leslie Shows, Split Array

    Leslie Shows, Split Array

    In the era of hyper-immediacy, geology can be a difficult for the human subject to understand. Dreamlike and ancient landscapes exist as remnants of inconceivable time. Tectonics and alluvial processes...
  • The Altered Landscape at the Nevada Museum of Art

    The Altered Landscape at the Nevada Museum of Art

    The Nevada Museum of Art has assembled over the course of twenty-odd years an impressively broad yet tightly focused collection of landscape photography, highlighting the constantly changing relationship between people...
  • Scanners Project

    Scanners Project

    Walking into a recently opened storefront next to a high end clothing store, on a particularly hip part of Valencia street, one hardly knows what to expect. The front is...
  • Better a Live Ass than a Dead Lion

    Better a Live Ass than a Dead Lion

    Better a Live Ass than a Dead Lion, Eli Ridgway’s current exhibition tackles the myriad encounters between human and landscape, telling stories of adventure, memory, and failure through a variety...
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  • Essays

    Mapping Histories: Map APIs and the visualization of historical archives

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  • Things We Like

    Sebastien Preschoux: Installations in the Interstices of Yarn and Oblivion

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  • Art

    Leslie Shows, Split Array

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  • Art

    The Altered Landscape at the Nevada Museum of Art

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  • Things We Like

    Scanners Project

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  • Art

    Better a Live Ass than a Dead Lion

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  • Art

    After the Deluge: Alex Lukas at the Guerrero Gallery

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  • Reviews

    Utopie: Texts and Projects 1967-1978

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  • Things We Like

    Pier 24: Hidden Photography Gem Below the Bay Bridge

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  • Things We Like

    Way Back Home: On Scottish Landscapes and Castle Walls

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  • Things We Like

    Sculptors Becoming-Tree Becoming-Nest: The Chapuisat Brothers

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  • Architecture

    Bringing Affect to the Surface: A Review of Sylvia Lavin’s Kissing Architecture

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  • Things We Like

    Chris Burden’s Metropolis II

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  • Things We Like

    Jennifer Steinkamp: Synthetic Nature

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  • Reviews

    Gerald Raunig’s A Thousand Machines

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  • About Us

    Resonant City is an interdisciplinary writing and research collaborative exploring the intersections of art, architecture, technology, the immediate past, enduring present, and possible futures. In the course of our explorations we hope to illuminate a subtle yet critical discourse underlying the construction of nature, landscape, the city, and cultural modes of production.

    Welcome to Resonant City.
    soon to be picturesque ruins


    Follow @resonantcity


    questions? resonantcity (at) gmail.com


  • Links
    • A Young Hare
    • a456
    • airoots/eirut
    • ANY-SPACE-WHATEVER
    • Ballardian
    • BLDG/BLOG
    • boiteaoutils
    • City of Sound
    • Crimson
    • deconcrete
    • diffusive architectures
    • Edible Geography
    • Everyday Structures
    • eyeteeth
    • fantastic journal
    • GAFFTA
    • indiemaps
    • InfraNet Lab
    • Kazys Varnelis
    • LA Eastside
    • Lebbeus Woods
    • M.ammoth
    • Marius Watz
    • owen hatherley
    • pruned
    • Serial Consign
    • Spatial Agency
    • Strange Maps
    • StrangeHarvest
    • Territorial Masquerades
    • The Funambulist
    • Transversing the Bay
    • Triple Canopy
    • Urban Landscape Lab
    • urbanscale
  • Upcoming Events
    • January 28, 2012

      • Van Tour of San Francisco's Green Spaces

        Location: 2323 Cesar Chavez Street San Francisco

        More details

    • February 1, 2012

      • Leonardo Art/Science Evening Rendezvous (LASER Series)

        Location: Pigott Hall (Bldg. 260), Room 113, Stanford University

        More details

    • February 3, 2012

      • Etchings by John Cage at Crown Point Press

        Location: Crown Point Press 20 Hawthorne Street San Francisco, CA

        More details

      • Adriane Colburn "Of Darkness"

        Location: The Luggage Store Gallery 1007 Market Street (nr. 6th St.) San Francisco, CA

        More details

    • February 4, 2012

      • Barbary Coast Trail Tour

        Location: Mint Plaza SF

        More details

    • February 7, 2012

      • Free First Tuesdays

        Location: San Francisco

        More details

Copyright © 2010-2012 Resonant City.

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background image: A friend of Wesley's, 2011. by Lee Hunter