Semiotext(e) has a long history of bringing radical, more about sometimes marginal Francophone thinkers to an English-speaking audience. Utopie: Texts and Projects is a new anthology of writings, page projects, dosage and reproductions from the publication Utopie. The Paris-based publication ran between 1967 and 1978, during what was rapidly transformative period in the 20th Century.… Read More
Semiotext(e) has a long history of bringing radical, more about sometimes marginal Francophone thinkers to an English-speaking audience. Utopie: Texts and Projects is a new anthology of writings, page projects, dosage and reproductions from the publication Utopie. The Paris-based publication ran between 1967 and 1978, during what was rapidly transformative period in the 20th Century.… Read More
Sylvia Lavin’s newest book, viagra order prescription Kissing Architecture, here offers an interesting proposition for artists and architects revolving around the act of kissing. Lavin outlines a theory of interface between architecture and other mediums; she explains how kisses between mediums create new affective conditions on the surfaces of objects and new ways of seeing… Read More
Sylvia Lavin’s newest book, healing Kissing Architecture, mind offers an interesting proposition for artists and architects revolving around the act of kissing. Lavin outlines a theory of interface between architecture and other mediums; she explains how kisses between mediums create new affective conditions on the surfaces of objects and new ways of seeing or feeling… Read More
Sylvia Lavin’s newest book, healing Kissing Architecture, mind offers an interesting proposition for artists and architects revolving around the act of kissing. Lavin outlines a theory of interface between architecture and other mediums; she explains how kisses between mediums create new affective conditions on the surfaces of objects and new ways of seeing or feeling… Read More
The “para-” prefix indicates a beyond, and look against, search ask alongside, more about or abnormal state. SFMOMA’s ParaDesign exhibition collects objects that often seem wrong, lack obvious usability, or contain other degrees of uncertainty—carrying with it the assertion that these objects exist for themselves as narrative devices or as critiques of design objectives. Though… Read More
The “para-” prefix indicates a beyond, and look against, search ask alongside, more about or abnormal state. SFMOMA’s ParaDesign exhibition collects objects that often seem wrong, lack obvious usability, or contain other degrees of uncertainty—carrying with it the assertion that these objects exist for themselves as narrative devices or as critiques of design objectives. Though… Read More
The “para-” prefix indicates a beyond, and look against, search ask alongside, more about or abnormal state. SFMOMA’s ParaDesign exhibition collects objects that often seem wrong, lack obvious usability, or contain other degrees of uncertainty—carrying with it the assertion that these objects exist for themselves as narrative devices or as critiques of design objectives. Though… Read More
The “para-” prefix indicates a beyond, and look against, search ask alongside, more about or abnormal state. SFMOMA’s ParaDesign exhibition collects objects that often seem wrong, lack obvious usability, or contain other degrees of uncertainty—carrying with it the assertion that these objects exist for themselves as narrative devices or as critiques of design objectives. Though… Read More
The “para-” prefix indicates a beyond, and look against, search ask alongside, more about or abnormal state. SFMOMA’s ParaDesign exhibition collects objects that often seem wrong, lack obvious usability, or contain other degrees of uncertainty—carrying with it the assertion that these objects exist for themselves as narrative devices or as critiques of design objectives. Though… Read More